Parts of Speech: Essays on English — Text and Context

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Matthews, Brander, 1852-1929 Project Gutenberg 2022 Not confirmed
English language; Americanisms; Spelling reform Readers of public-domain and historical texts
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Words 74,916
Reading time 326 min
Text sections 20

The catalog record for Parts of Speech: Essays on English — Text and Context provides practical reading context through 74,916 words, 5 hr 26 min estimated reading time, and 20 detected text sections.

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Brander Matthews, a Columbia professor, argues that English belongs to its speakers, not to grammarians. Through essays on spelling reform, borrowed words, and shifting usage, he traces how popular will warps language—and why resistance is futile.
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ted and ready-tongued; they had a liking for tales and an insatiable curiosity for news. They cultivated eloquence, having an astonishing facility of speech, and of letting themselves be taken in by words. And having thus summed up Cæsar’s analysis of the Gaul, M. Fouillée asks how after this we can deny the persistence of national types.

What Tacitus has to say of the Germans comes home more closely to us who speak English, since the Teutonic tribes the Latin historian was considering are not more the ancestors of the modern Prussians than they are of the wide-spread Anglo-Saxon peoples. As those who speak English went from the mainland across the North Sea to an island and dwelt there for centuries, and were joined by earlier kin from elsewhere, the race-characteristics were obviously modified a little--just as they have been as obviously modified a little more when some of those who spoke English went out again from the island to a boundless continent across the Atlantic, and were joined here by many others, most of whom were also derived from one or another of the varied Teutonic stocks.

It is nearly two thousand years since Tacitus studied the Teutonic race-characteristics, and yet most of the peculiarities he noted then are evident now. Tacitus tells us that the Teutons were tall, fair-haired, and flegmatic. They were great eaters, not to say gross feeders; and they were given to strong drink. They were fond of games, and were ready to pay their losses with their persons, if need be. They were individual and independent. Their manners were rude, not to call them violent. They were possessed of the domestic virtues, the women being chaste and the husbands faithful. They loved war as they loved liberty. They had a passionate fidelity to their leaders. They decided important questions of policy in public assembly.

The several peoples of our own time who are descended from the Teutons thus described by Tacitus with so sympathetic an insight have been developing for twenty centuries, more or less, each in its own way, under influences wholly unlike, influences both geographical and historical; and it is small wonder that they have diverged as they have, and that no one of them nowadays completely represents the original stock. Some of the points Tacitus made are true to-day in Prussia and are not true in Great Britain; and some hit home here in the United States, altho they miss the mark in Germany. The modern Germans still retain a few of these Tacitean characteristics which the peoples that speak English have lost in their adventurous career overseas. And on the other hand, certain of the remarks of Tacitus might be made to-day in the United States; for example, the willingness to run risks for the fun of the game--is not this a present characteristic of the American as we know him? And here we have always been governed by town-meeting, as the old Teutons were, whereas the modern German is only now getting this back by borrowing it from the English precedent. In our private litigations we continue to abide by the customs of our remote Teutonic ancestors, while the German has accepted as a legal guide the Roman law, wrought out by the countrymen of Tacitus.

Second only to a community of language, no unifying force is more potent than a community of law. In the depths of their dark forests the Teutons had already evolved their own rudimentary code by which they did justice between man and man; and these customary sanctions were taken over to Britain by the Angles and the Saxons and the Jutes; and they served as the foundation of the common law by means of which the peoples that speak English still administer justice in their courts. And here again we find the handiwork of the great King Alfred, from whom we may date the codification of an English law as we may also reckon the establishing of an English literature. With the opportunism of our race, he had no thought of a new legislation, but merely merged the best of the tribal customs into a law for the whole kingdom. The king sought to bring to light and to leave on record the righteous rulings of the wise men who had gone before. “Those things which I met with,” so the historian transmits his words, “either of the days of Ine, my kinsman, or of Offa, King of the Mercians, or of Æthelberht, who first among the English race received baptism, those which seemed to me rightest, those I have gathered, and rejected the rest.”

Brander Matthews opens his 1901 collection with a declaration that the English language “belongs to the peoples who speak it—that it is their own precious possession, to deal with at their pleasure and at their peril.” This conviction shapes every essay that follows. Matthews writes as a man of letters, not a professional linguist, and he is less concerned with prescribing rules than with observing how actual speakers and writers reshape the language. He adopts simplified spellings throughout—‘altho,’ ‘tho,’ ‘technic’—as a practical demonstration of his belief that orthography, like society, can be made “less vicious” even if never entirely reformed.

The People’s Right to Remake Words

Matthews repeatedly insists that when “the people as a whole accept a word as having a certain meaning, that is and must be the meaning of the word thereafter.” He illustrates this with the fate of vaudeville: originally a Parisian comic play with songs, the term was adopted in America to mean a variety show, and no amount of protest can restore its earlier sense. The same process is at work with née, which Matthews finds misused in Matthew Arnold’s letters to mean “formerly” rather than “born.” He cites an editor who writes “née Louisa Montefiore” for a woman who was born with that name—a usage Matthews calls an “absurdity.” The implication is clear: even careful writers cannot halt the drift of language once the majority has spoken.

Borrowed Words and Their Perils

Matthews devotes considerable attention to French loanwords that have been adopted into English with altered or mangled meanings. He asks why actors prefer répertoire to repertory, why music teachers call their schools conservatoire instead of conservatory, and why female pianists style themselves pianistes as if that were the feminine of pianist. He notes that Andrew Lang, who objects to a “delightful grammatical form” in a rag-bag journal, himself writes asphalte instead of asphalt. The pattern is one of inconsistency: even critics of linguistic decay are themselves guilty of borrowing that obscures meaning. Matthews does not condemn all borrowing, but he warns that it is “dangerous” when it destroys precision.

Spelling Reform as a Practical Campaign

Matthews positions himself as a moderate in the spelling-reform debate. He is “by no means a radical ‘spelling-reformer,’” but he believes that anyone who wishes to keep English “up to its topmost efficiency” should aid the tendency toward simplification. His own text uses forms like altho and tho consistently, and he cites Sainte-Beuve’s remark that orthography will never be entirely reformed but can be made “less vicious.” The essays on orthography argue that simplification has been at work “unceasingly ever since the language came into existence.” Matthews’s approach is pragmatic: he advocates for small, incremental changes rather than wholesale overhaul, and he demonstrates his commitment by example rather than by decree.

Theatrical Terms and the Instability of Jargon

Matthews traces how specialized theatrical vocabulary shifts as it enters general use. He notes that vaudeville in Paris had “nothing to do with the ‘variety show,’” yet in New York the two became synonymous. He also observes the rise of artiste for performers, a borrowing he finds pretentious. The essay on theatrical terms reveals a broader pattern: words that begin as precise technical terms are “forever warped beyond correction” once adopted by the public. Matthews’s tone is resigned rather than indignant; he accepts that language change is inevitable, even when it leads to what he considers error.

Matthews’s essays are best read as a series of case studies in linguistic democracy. He does not offer a systematic theory of language change, but his examples—from vaudeville to née to simplified spelling—cohere around a single insight: usage, not authority, determines meaning. Readers interested in the history of American English or in early arguments for spelling reform will find Matthews a lively, if occasionally pedantic, guide. His own prose, with its deliberate simplifications, serves as a practical demonstration of the principles he advocates.

Reading how words drift by popular will, I recalled my grandfather’s old grammar book, its margins scribbled with protests. The language belonged to him, not the rules. Christmas found me with Christmas-Tide — Story, Setting & Ideas, and I felt the same warmth—a living tradition shaped by hands, not doctrine, quietly enduring.

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