Christmas-Tide — Story, Setting & Ideas

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Harrison, Elizabeth, 1849-1927, Dickens, Charles, 1812-1870 Project Gutenberg 2013 Not confirmed
Christmas stories; Christmas Readers of public-domain and historical texts
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Words 50,929
Reading time 222 min
Text sections 5

For Christmas-Tide — Story, Setting & Ideas, the stored edition analysis reports 50,929 words, 3 hr 42 min estimated reading time, and 5 detected text sections.

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Project Gutenberg metadata also associates the work with “Christmas stories,” connecting these edition facts with the source record’s subject description.

Elizabeth Harrison's Christmas-Tide combines practical advice on children's toys and holiday celebration with Charles Dickens's 'A Christmas Carol,' offering a dual perspective on Christmas through educational theory and classic fiction.
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Murillo had left upon canvas. This is but one instance that great thoughts do make impressions upon the mind of the child.

CO-PRINCIPAL OF THE CHICAGO KINDERGARTEN COLLEGE

PUBLISHED BY CHICAGO KINDERGARTEN COLLEGE 10 VAN BUREN STREET CHICAGO

COPYRIGHTED 1902 BY ELIZABETH HARRISON

DEDICATED TO MY FATHER FROM WHOSE HEART AND LIFE AGE CANNOT BANISH THE PERPETUAL CHRISTMAS-TIDE

I. CHRISTMAS PRESENTS 9

II. THE PLACE OF TOYS IN THE EDUCATION OF A CHILD 25

III. HOW TO CELEBRATE CHRISTMAS 41

V. A CHRISTMAS EXPERIENCE 55

VI. A CHRISTMAS CAROL 81

VII. CHRISTMAS STORIES FOR THE CHILDREN 219

VIII. A CHRISTMAS STORY FOR GROWN-UPS 237

IX. A CHRISTMAS SONG 247

X. BIBLE STORY OF CHRISTMAS 251

Many mothers are sorely perplexed as the Christmas-tide approaches by the problem of how to select such presents for their children as will help them rather than hinder them in their much-needed self-activity. Let the toys be _simple, strong, and durable, that your child may not gain habits of reckless extravagance and destruction_ which flimsy toys always engender. Remember a few good toys, like a few good books, are far better than many poor toys. Toys in which the child's own creative power has full play are far better than the finished toys from the French manufacturers. In fact, too complex a toy is like too highly seasoned food, too elaborately written books, too old society, or any other mature thing forced upon the immature mind. Your choice should be based, not so much on _what the toy is, as on what the child can do with it_. The instinctive delight of putting their own thought into their play-things instead of accepting the thought of the manufacturer explains why simple toys are often more pleasing to children than expensive ones.

The following list has been compiled from such toys as have delighted as well as have helped the children of kindergarten-trained mothers.

TOYS FOR CHILDREN FROM ONE TO TWO YEARS OF AGE.

Linen picture-books, rubber animals, cotton-flannel animals, rubber rings, worsted balls, strings of spools, knit dolls, rag dolls, rubber dolls, wooden animals (unpainted), new silver dollars.

The kindergarten materials helpful at this period of the child's development are the soft worsted balls of the first gift. When the child begins to listen to sounds and to attempt to articulate, the sphere, cube, and cylinder of the second gift may be given to him. These two gifts, when rightly used, assist the clear, distinct, and normal growth of the powers of observation and aid the little one in expressing himself, even before he has language at his command. Songs and games illustrative of the various ways in which these gifts can be used with a young child, are to be found in the Kindergarten Guides now published. Some very good ones are included in the first year's course of study for mothers of the Kindergarten College. However, almost any mother can invent plays with them for her child.

The kindergarten materials found most helpful for this period of the average child's growth are the second gift and the divided cubes of the third gift. With the latter the child can early be trained into habits of _constructive_ play, rather than _destructive_ play. As all children like to transform and rearrange their toys, this gift is particularly adapted to that purpose. It is simple and easy to handle. Much logical training can be given the child by teaching him to change one form made with his blocks into another, without scattering, or entirely destroying the first form. Many suggestive forms may also be found in the various Kindergarten Guides already published. A series of these are now being prepared by the College for general sale. However, the child himself will oftentimes name the forms made by some name of his own, which should be accepted by the mother. The wooden tablets, sticks, rings, and points of the kindergarten can also be used with a child from three to four years of age though they are, as a rule, less satisfactory than the blocks. The second gift beads furnish an almost exhaustless amusement for some children at this stage of their growth. A long linen shoe-string with a firm knot tied at one end has been found to be the most serviceable kind of a string on which to string the beads. Knowledge of color, form, and number are also incidentally taught the child by these beads.

Low sand tables are an almost endless pleasure to small children, as sand is one of the most easily mastered of the materials of nature, and can serve as a surface for the first efforts at drawing, or can be the beginning of the childish attempts to mold the solid forms about him. When lightly dampened it serves as an excellent substance on which to leave the impress of various objects of interest. In fact, there is scarcely any play in which the sand may not take part. The child should be taught from the very beginning that he must not spill the sand upon the floor nor throw it at any one. In case he violates these laws of neatness and safety, the sand table may be removed for a time.

A blackboard and chalk are usually a source of much keen and innocent enjoyment to three and four year old children, especially if the mother sometimes enters into the making of pictures, or story-telling by means of pictures, no matter how crudely drawn. Various other kindergarten "occupations" may be used by the trained mother--but the untrained mother often finds them confusing and of little use.

Whenever it is possible the back yard should have a sand pile, a load of kindling, and a swing in it, that the child in his instinctive desire to master material, to construct, and to be free, may find these convenient friends to help him in his laudable aspirations. The street has less temptations for children thus provided for.

TOYS FOR CHILDREN FROM THREE TO FIVE YEARS OF AGE.

Blackboard and crayon, building blocks, balls, train of cars, doll and cradle, wooden beads to string, small glass beads to string, rocking-chair, doll's carriage, books with pictures of trade life, flowers, vegetables, etc., tracing cards and paper dolls, toy poultry yard with fences, trees, a woman, and a dozen ducks and chickens.

The more advanced gifts of the kindergarten now interest the child. Clay modeling and paper folding can easily be taught him, and many of the simpler formulas for the mat weaving, also some of the sewing. A good kindergarten is the best play ground for a child at this stage of his development, as he _needs_ comrades of his own age and ability. If a kindergarten cannot be had the mother must be as nearly a child herself as she knows how to be. Good, simple, wholesome stories now become a part of the child's life. They form the door by which he is later to be led into the great world of literature. Therefore, story-books may be numbered among the suitable toys for four and five year old children, though stories _told_ to the child are better. Almost any mother who has her child's best interests at heart can simplify the old Greek myths as retold by Hawthorne in his "Wonder Book," or the Norse legends as given us by Hamilton Mabie in "Norse Stories," or the rich, pithy experience of the Teutonic peoples as collected in Grimm's "Fairy Tales." All of these contain the seeds of wisdom which the early child races stored away in childish forms, and therefore, they delight the heart of the child of to-day and aid materially in cultivating his imagination in the right way.

TOYS FOR CHILDREN FROM FIVE TO SIX YEARS OF AGE.

Kitchen, laundry and baking sets, balls, building blocks, picture puzzles, dissecting maps, historical story-books, outline picture-books to color with paint or crayon, trumpet, music-box, desk, blackboard, wagon, whip, sled, kite, pipe for soap bubbles, train of cars, carpenter tools, jackstraws, hobby-horses, substantial cook-stove, sand table, skates, rubber boots, broom, Richter's stone blocks, shovel, spade, rake and hoe, marbles, tops, swing and see-saw, strong milk-wagon equipped with cylinder cans, substantial churn, a few bottles filled with water, spices, coffee, sugar, etc., for a drug store.

Ordinarily children of this age still love their kindergarten tools, and can be led to do really pretty work with their mats, folding, pasting, etc. The fifth and sixth gifts[1] now come into use and aid the child in more definite expression of his ideas. More stories should be told, and the beginning made of collections of pictures for scrap-books, also collections of stones, leaves, curios for his own little cabinet. Many references may from time to time be made to the books to be read by and by, which will tell him wonderful things about these treasures. In this way a desire to learn to read is awakened, and soon the world of nature and of books takes the place of toys, except of course, those by means of which bodily skill is gained and tested. These later belong in general to the period of boyhood and girlhood.

[1] See "The Kindergarten Building Gifts" by Elizabeth Harrison and Belle Woodson.

To this list of Christmas toys is added a list of books suitable for Christmas gifts. Very handsome books are to be avoided, as the child delights in handling his own books almost as much as his own toys. The value of the right kind of books cannot be too much emphasized. Is not the food which you give to your child's mind of as much importance as that which you give to his body?

When your boy stops questioning you, he has not stopped questioning concerning life and its problems; he has turned to those silent companions which you have placed upon his bookshelf or on the library table. Shall heroes and prophets be his counselors, or shall "Peck's Bad Boy" and the villain of the dime novel teach him how to look at life? _It rests with you._

There is a great difference between books which are to be read _to_ children, those which are to be read _with_ children, and those which are to be read _by_ children.

The second kind, which are more profitable than the first, require the mother's sympathetic and genuine interest in the subject-matter in hand; and frequent stops for little talks about what has been read are necessary.

The third class are books for older children who can read well enough to peruse them alone; but, if the mother will take time to read them before giving them to the child, she will strengthen the bonds of intellectual sympathy between herself and him.

FOR CHILDREN UNDER SIX YEARS OF AGE.

Mother-play and Nursery Song, by Frederick Froebel.

Nursery Finger Plays, by Emile Poulsson.

Mother Goose, in one syllable.

Songs for Little Ones, by Eleanor Smith.

Æsop's Fables, in one syllable, by Mary Mapes Dodge.

Boley's Own Æsop; illustrated by Walter Crane.

Baby World, by Mary Mapes Dodge.

Little People of the Air, by Olive Thorne Miller.

Nonsense Book, by Edward Sears.

FOR CHILDREN FROM SIX TO EIGHT YEARS OF AGE.

Doll World, by Mrs. O. Reilly.

Sparrow the Tramp, by Wesselhoeft.

The Joyous Story of Toto, by L. E. Richards.

Doings of the Bodley Family, by H. E. Scudder.

Bodleys Telling Stories, by H. E. Scudder.

The Bird's Christmas Carol, by K. D. Wiggin.

Hans Andersen's Fairy Tales, translated by H. S. Brackstad.

Alice's Adventures in Wonderland, by Lewis Carroll.

Bible Stories from the Old Testament, by Richard G. Moulton.

Moon Folks, by Jane Austin.

Mopsa the Fairy, by Ingelow.

Evenings at Home, by Barbould and Aiken.

Posies for Children, by Anna Lowell.

Shanny and Light House.

STORY-BOOKS.--FOR CHILDREN BETWEEN THE AGES OF EIGHT AND FOURTEEN.

Seven Little Sisters, by Miss Jane Andrews.

Each and All, by Miss Jane Andrews.

Ten Little Boys on the Way from Long Ago to Now, by Miss Jane Andrews.

Story of a Short Life, by Mrs. Juliana Horatia Ewing.

Mary's Meadow, by Mrs. Juliana Horatia Ewing.

Jackanapes, by Mrs. Juliana Horatia Ewing.

Dandelion Clocks, by Mrs. Juliana Horatia Ewing.

The Wonder Book, by Nathaniel Hawthorne; illustrated by Howard Pyle.

Tanglewood Tales, by Nathaniel Hawthorne; illustrated by Howard Pyle.

True Tales, by Nathaniel Hawthorne.

Fairy Tales, by Jean Macé.

Grimm's Household Tales.

Fairy Tales, by Hans Christian Andersen.

Two Grey Girls, by Ellen Haile.

Three Brown Boys, by Ellen Haile.

Robinson Crusoe, by De Foe.

Hans Brinker, by Mary Mapes Dodge.

Arabian Nights; illustrated by A. H. Houghton.

Homer's Iliad and Odyssey; illustrated by John Flaxman.

Shakespeare's Tempest and Two Gentlemen of Verona; illustrated by Walter Crane.

Gulliver's Travels, by Dean Swift; illustrated by Gordon Browne.

Legends of Sleepy Hollow, by Washington Irving; illustrated by A. H. Houghton.

Christmas Stories, by Dickens; illustrated by E. A. Abbey.

Child's Dream of a Star, by Dickens.

Water Babies, by Charles Kingsley.

A Child Garden of Verse, by Robert Louis Stevenson; illustrated by Charles Robinson.

The Boy with an Idea, Putnam & Sons, publishers.

Young Merchants, Putnam & Sons, publishers.

Boy Engineer, Putnam & Sons, publishers.

Story of the Nations (8 vols.), Putnam & Sons, publishers.

Adventures of Ulysses, by Charles Lamb.

Tales from Shakespeare, by Charles Lamb.

Stories from Greek Tragedians, by Rev. A. J. Church.

The Golden Age, by James Baldwin.

The Vision of Dante, by Elizabeth Harrison; illustrated by Walter Crane.

Æsop's Fables (without the moral explanations attached).

Swiss Family Robinson.

The Lame Prince, by Miss Mulock.

Parables from Nature, by Margaret Gattey.

Child Life, by J. G. Whittier.

Child's History of England, by Charles Dickens.

In Storyland, by Elizabeth Harrison.

Bible Stories from the New Testament, by Richard G. Moulton.

Nonsense Books, by Edward Lear.

The Monkey that Would Not Kill, by Henry Drummond.

The Heroes, by Charles Kingsley.

At the Back of the North Wind, by George MacDonald.

Uncle Remus, by Joel Chandler Harris.

Tom Brown at Rugby, by Thomas Hughes.

Nehe, by Anna Pierpont Siviter; illustrated by Chase Emerson.

The Princess Story Book.

The Cruise of the Cachalot, by Frank Bullen.

The American Boys' Handy Book, by D. C. Beard.

The Jungle Book, by Rudyard Kipling.

Boyhood is pre-eminently the period of perception. Hence all books on scientific subjects are helpful, if they are simple enough to aid the child in seeing nature and her marvels. The mother should be careful that the child does not rest in mere perception of the objects of nature, but that he compares and classifies them, and above all, that he is led to trace a purpose in created things, in order that he may learn "to look through nature up to nature's God."

LIST OF CHILDREN'S BOOKS ON SCIENTIFIC SUBJECTS.

The Story Mother Nature Told, by Jane Andrews.

Child's Book of Nature (3 vols.), by Worthington Hooper.

Among the Stars, by Agnes Giberne.

History of a Mouthful of Bread, by Jean Macé.

Overhead, by Laura and Anna Moore.

Life and Her Children, by Arabella Buckley.

Winners in Life's Race, by Arabella Buckley.

Fairyland of Science, by Arabella Buckley.

Little Folks in Feathers and Furs, by Olive Thorne Miller.

Little Lucy's Wonderful Globe, by Charlotte M. Yonge.

Four Feet, Two Feet, and No Feet.

Odd Folks at Home, by C. L. Mateaux.

Tenants of an Old Farm Yard, by McCook.

Home Studies in Nature, by Mary Treat.

Many other valuable books might be added to this list. However, a few good books are better than many less good ones. It is well to lead a child to the world's _great books_ as soon as possible. Enough have been given to show the kinds of books which are not hurtful to children. Each book on the above list has been personally inspected.

After all, it is not so important what your child reads as what you read. If the father reads _nothing_ but the newspapers and the mother _nothing_ but novels, what then? Children are taught as much by the general tone of conversation of their parents as by the books they are given to read.

A LIST OF BOOKS HELPFUL TO MOTHERS AND TEACHERS IN THEIR STUDY OF CHILD NATURE.

Mother-play and Nursery Song, by Frederick Froebel.

Letters to a Mother, by Susan E. Blow.

Symbolic Education, by Susan E. Blow.

Commentaries of Froebel's Mother-play Songs, by Denton J. Snider.

A Study of Child Nature, by Elizabeth Harrison.

The Child, by Madam Marenholtz von Bulow.

Household Education, by Harriet Martineau.

Levana, by Jean Paul Richter.

Christian Nurture, by Horace Bushnell.

Conscious Motherhood, by Emma Marwedel.

Bits of Talk about Home Matters, by H. H.

Reminiscences of Froebel, by Madam Marenholtz von Bulow.

The Children for Christ, by Rev. Andrew Murray.

From the Cradle to the School, by Bertha Meyer.

Gentle Measures in Training the Young, by Jacob Abbott.

Emil, by Jean Paul Rousseau.

Leonard and Gertrude, by Pestalozzi.

Hints on Early Education, Anonymous.

For Boys, a Special Physiology, by Mrs. E. R. Shepherd.

For Girls, a Special Physiology, by Mrs. E. R. Shepherd.

LIST OF BOOKS HELPFUL TO MOTHERS AND TEACHERS IN SCIENCE.

Steps in Scientific Knowledge, by Paul Bert.

History of a Mouthful of Bread, by Jean Macé.

Ministry of Nature, by Hugh Macmillan.

Bible Teachings in Nature, by Hugh Macmillan.

Sabbath in the Fields, by Hugh Macmillan.

Elementary Book of Zoölogy, by Packard.

Little Folks in Feathers and Furs, by Olive Thorne Miller.

The Geological Story Briefly Told, by Dana.

Science Primer--Geology, by Archibald Geikie.

Science Primer--Botany, by F. D. Hooker.

Science Primer--Chemistry, by H. E. Roscoe.

Madam How and Lady Why, by Charles Kingsley.

Principles of Geology, by Lyell.

How Plants Grow, by Gray.

How Plants Behave, by Gray.

Child's Book of Nature, by Hooker.

Elementary Botany, by Bessey.

Revised Manual of Botany, by Gray.

Plant Relations, by John M. Coulter.

THE PLACE OF TOYS IN THE EDUCATION OF A CHILD.

As Christmas is peculiarly the season for toy-giving and toy-receiving, it may be well for the mother to consider this subject.

Old Homer, back in the past ages, shows us a charming picture of Nausicaa and her maidens, after a hard day's washing, resting themselves with a game of ball. Thus we see this most free and graceful plaything connected with that free and beautifully developed nation which has been the admiration of the world ever since. Plato has said, "The plays of children have the mightiest influence on the maintenance or non-maintenance of laws"; and again, "During earliest childhood, the soul of the nursling should be made cheerful and kind, by keeping away from him sorrow and fear and pain, by soothing him with sound of the pipe and of rhythmical movement." He still further advised that the children should be brought to the temples, and allowed to play under the supervision of nurses, presumably trained for that purpose. Here we see plainly foreshadowed the Kindergarten, whose foundation is "education by play"; as the study of the Kindergarten system leads to the earnest, thoughtful consideration of the office of play, and the exact value which the plaything or toy has in the development of the child, when this is once understood, the choice of what toys to give to children is easily made.

In the world of nature, we find the blossom comes before the fruit; in history, art arose long before science was possible; in the human race, the emotions are developed sooner than the reason. With the individual child it is the same; the childish heart opens spontaneously in play, the barriers are down, and the loving mother or the wise teacher can find entrance into the inner court as in no other way. The child's _sympathies_ can be attracted towards an object, person, or line of conduct much earlier than his reason can grasp any one of them. His emotional nature can and does receive impressions long before his intellectual nature is ready for them; in other words, he can _love_ before he can _understand_.

Elizabeth Harrison's Christmas-Tide opens with a striking anecdote: a kindergarten boy, after hearing the legend of the Christ Child, selects a Murillo painting as a gift because it matches his mental image. This moment frames the book's central concern—how stories and objects shape a child's inner life. The volume pairs Harrison's own essays on toys, celebration, and Santa Claus with the full text of Dickens's A Christmas Carol, creating a hybrid work that moves between instructional prose and literary fiction.

Harrison's Voice on Toys and Education

Harrison writes with direct, prescriptive clarity. In the opening essay, she advises mothers to choose toys that are “simple, strong, and durable,” warning against “flimsy toys” that breed “reckless extravagance.” Her reasoning is practical: a toy's value lies not in its appearance but in “what the child can do with it.” She draws an analogy between over-complex toys and “too highly seasoned food,” insisting that a child's creative play requires raw materials, not finished products. The tone is authoritative yet warm, grounded in her experience as co-principal of the Chicago Kindergarten College. She offers specific lists for children from one to two years old—linen picture-books, rubber animals, worsted balls—demonstrating a methodical approach to early childhood education.

Dickens's Shift in Narrative Pace

The excerpt from A Christmas Carol shows a marked change in rhythm. Early in the scene, Scrooge pleads with the Ghost of Christmas Past: “Show me no more! Conduct me home.” The dialogue is clipped, urgent. But as the ghost forces him to watch a family celebration, the prose expands into long, breathless sentences. Dickens piles detail upon detail: children “conducting itself like forty,” a mother and daughter laughing, a porter “despoil[ed]” of parcels. The narrator interjects with confessions—“What would I not have given to be one of them”—creating a sudden intimacy. This shift from staccato resistance to flowing, almost nostalgic description mirrors Scrooge's emotional awakening.

Contrast Between Instruction and Fiction

The book's structure sets Harrison's measured advice against Dickens's exuberant storytelling. Harrison's prose is economical; she states principles and lists examples. Dickens, by contrast, luxuriates in sensory overload: the “shouts of wonder and delight,” the baby suspected of swallowing a “fictitious” frying-pan. Where Harrison tells parents what to buy, Dickens shows what children do—pillaging, hugging, kicking in “irrepressible affection.” This juxtaposition is not accidental. Harrison's essays prepare the reader to see the educational value in Dickens's chaotic scenes. The child's natural energy, which Dickens celebrates, becomes the very “self-activity” Harrison urges parents to nurture.

Readers approaching Christmas-Tide should note its dual authorship: Harrison's essays frame Dickens's story, not the reverse. The book rewards attention to how each section handles the same theme—childhood, giving, wonder—through different genres. Harrison's lists and rules gain depth when read alongside Dickens's unruly families; Dickens's sentiment gains structure when placed within Harrison's pedagogical framework. The volume is best experienced as a conversation between two voices, each illuminating the other.

Somewhere between Harrison's gentle notes on holiday mirth and Dickens's tiny dancing ghosts, I found myself recalling Gilbert White's quiet fields—how both books treat a season, not as spectacle, but as a patient, textured affair. His December entries murmur with the same unhurried warmth. That old copy of The Natural History of Selborne — Text and Context sits beside the Christmas book now, each reminding me of solitude's tender company.

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4.5 out of 5 (7 User reviews )

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    Christie Taylor - 1 month ago
    Christmas Tide is a beautifully crafted seasonal tale that captures the warmth and magic of the holidays. The author's vivid descriptions of snow-covered landscapes, cozy firesides, and the spirit of giving truly transport you into the story. The characters are heartwarming and the plot, while simple, is filled with genuine emotion and festive cheer. It left me feeling nostalgic and uplifted, a perfect read to get into the Christmas spirit. Highly recommended for anyone seeking a heartwarming holiday escape.

  • ...
    Jennifer Johnson - 3 weeks ago
    Christmas Tide is a disappointment. The story lacks originality and follows a tired, predictable holiday formula. The characters are one-dimensional, and the dialogue feels forced and unnatural. The author seems to rely on excessive seasonal descriptions to compensate for a lack of substantive plot. Overall, it's a shallow, forgettable read that fails to deliver any real emotional impact. I’d advise skipping this one unless you’re desperate for some unchallenging Christmas fluff.

  • ...
    Julie Bonilla - 1 week ago
    Christmas Tide offers a pleasant and cozy read, perfect for the holiday season. The descriptive prose effectively evokes a wintery atmosphere, and the narrative is easy to follow. However, the plot is quite predictable and the characters could have been developed more deeply. While it’s a decent way to spend an afternoon, don’t expect any surprises or profound insights. A solid, if unremarkable, festive story.


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