Nonsenseorship — Themes and Context

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Putnam, George Palmer, 1887-1950 [Editor], Broun, Heywood, 1888-1939 [Contributor], Chappell, George S. (George Shepard), 1877-1946 [Contributor], Gilbert, Clinton W. (Clinton Wallace), 1871-1933 [Contributor], Hale, Ruth, 1887-1934 [Contributor] Project Gutenberg 2004 Not confirmed
Satire, American; Censorship Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 43,409
Reading time 189 min
Text sections 6

Nonsenseorship — Themes and Context can be approached with a clearer sense of reading commitment from its source measurements: 43,409 words, 3 hr 9 min estimated reading time, and 6 detected text sections.

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A 1922 satirical anthology edited by George Palmer Putnam, featuring contributions from Dorothy Parker, Ben Hecht, and others, targeting prohibition, censorship, and moral reform with wit and irreverence.
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This collection opens with a wry economic comparison: at current bootliquor prices, Haig & Haig costs twelve dollars a quart, while a bootlegged copy of James Branch Cabell's Jurgen goes for about fifteen dollars. The editor, George Palmer Putnam, frames the volume as a gathering of “not-too-serious thinkers” invited to air their views on “nonsenseorships in general and any pet prohibitions in particular.” The contributors—including Dorothy Parker, Ben Hecht, and Frank Swinnerton—are explicitly not the “puritanical proclivity”; the censors and prohibitionists are left unrepresented, their viewpoint already “amply set forth.” The result is a deliberately one-sided, irreverent assault on the absurdities of censorship and sumptuary law.

Traitors in the Ranks: Broun’s Pro-Prohibition Plea

Heywood Broun, ostensibly a “stalwart foe of inhibitions,” immediately subverts expectations by advocating for prohibition—but only for those over thirty. He declares that “rum was designed for youthful days and is the animating influence which made oats wild.” After thirty, he suggests, Quaker Oats. This ironic twist sets the tone for a volume where no position is safe from mockery. The editor notes that Broun is “masquerading” as a foe of inhibitions, highlighting the performative nature of the essays. The reader is warned early that consistency is not the goal; rather, the pleasure lies in watching each writer dismantle their own and others’ sacred cows.

The Censor’s Menagerie: A Catalog of Absurdities

One contributor offers a rollicking inventory of censorship’s petty tyrants: the “Suppressors of Vice” who find dirt in What Katy Did at School or a snapshot of Aunt Bessie in bathing; the Movie Censors who keep the motion picture “in its infancy” by cutting ginger-ale toasts and making Sherlock Holmes say “Quick, Watson, the crochet needle!”; and the “All-American Crabs” who oppose everything from modern dances to cigarette-smoking. The tone is gleefully hyperbolic, but the targets are specific: the Comstockian legacy, the Hays Code’s forerunners, and the reflexive moral panic of reformers. The writer’s refrain—“I hate Reformers; They raise my blood pressure”—caps the section with personal venom.

Transatlantic Misunderstandings: Swinnerton’s London Shock

Frank Swinnerton recounts an American woman’s astonishment that a London taxi driver could ignore a policeman’s hand and receive only a mild rebuke. In New York, she insists, “he’d have been in prison inside of five minutes!” Swinnerton uses this anecdote to probe the gap between American and British attitudes toward authority and law. The essay suggests that prohibition and censorship are not merely legal matters but expressions of a national character that demands rigid enforcement. The contrast between the “terrible disillusion” of the visitor and the amused tolerance of the Londoner underscores the volume’s central argument: that the impulse to control others’ behavior is often more ridiculous than the behavior itself.

Readers should approach Nonsenseorship as a period piece of sophisticated mockery, not a systematic argument. The contributors write from a specific cultural moment—post-World War I, Prohibition-era America—and their targets are often local and dated. Yet the underlying tension between liberty and control remains recognizable. The book rewards those who enjoy watching clever writers sharpen their wit on the grindstone of hypocrisy.

It’s funny—I was thinking about that old 1922 Nonsenseorship collection, how its sharpest jokes hid a real ache for honesty. It felt the same quiet way I imagine this one does, slow and sure—something closer to a hand on your arm than a lecture. The Vitality of Mormonism: Brief Essays on Distinctive Doctrines of the Church of Jesus Christ of Latter-day Saints — Reading Notes lingered in me like that, gently refusing to leave.

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