Nonsenseorship — Themes and Context

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Putnam, George Palmer, 1887-1950 [Editor], Broun, Heywood, 1888-1939 [Contributor], Chappell, George S. (George Shepard), 1877-1946 [Contributor], Gilbert, Clinton W. (Clinton Wallace), 1871-1933 [Contributor], Hale, Ruth, 1887-1934 [Contributor] Project Gutenberg 2004 Not confirmed
Satire, American; Censorship Readers of public-domain and historical texts
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Words 43,409
Reading time 189 min
Text sections 6

Nonsenseorship — Themes and Context can be approached with a clearer sense of reading commitment from its source measurements: 43,409 words, 3 hr 9 min estimated reading time, and 6 detected text sections.

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Project Gutenberg metadata also associates the work with “Satire, American,” connecting these edition facts with the source record’s subject description.

A 1922 satirical anthology edited by George Palmer Putnam, featuring contributions from Dorothy Parker, Ben Hecht, and others, targeting prohibition, censorship, and moral reform with wit and irreverence.
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There was a ban, if we believe Our Genesis, on fruit. But did it give old Adam pause, This One and only law there was?

[Sidenote: _Nine verses are supposed to elapse_.]

And then great Moses, on the crest Of Sinai, did devise His tablets, acting for the best, (Though some thought otherwise). At least he showed restraint, for then Man's sins were limited to _Ten_,

[Sidenote: _Ninety-nine verses elapse_.]

In later days the Romans proud Their famous Code began. And lots of things were not allowed By just Justinian. He wrote a list, stupendous long; _"One Hundred_ Ways of Going Wrong."

[Sidenote: _Nine hundred and ninety-nine verses elapse_.]

Napoleon, (see Wells's book) Improved the Roman plan By spotting a potential crook In every fellow-man. And by the _Thousand_ off they went To jail, until proved innocent.

[Sidenote: _Nine thousand nine hundred and ninety-nine verses elapse_.]

Now in the change-about complete Since Adam Passed from View. For apples we are urged to eat And all else is taboo. A _Million_ laws hold us in thrall, And we serenely break them all!

A censor is a man who has read about Joshua and forgotten Canute. He believes that he can hold back the mighty traffic of life with a tin whistle and a raised right hand. For after all it is life with which he quarrels. Censorship is seldom greatly concerned with truth. Propriety is its worry and obviously impropriety was allowed to creep into the fundamental scheme of creation. It is perhaps a little unfortunate that no right-minded censor was present during the first week in which the world was made. The plan of sex, for instance, could have been suppressed effectively then and Mr. Sumner might have been spared the dreadful and dangerous ordeal of reading "Jurgen" so many centuries later.

Indeed, if there had only been right-minded supervision over the modelling of Adam and Eve the world could worry along nicely without the aid of the Society for the Suppression of Vice. Suppression of those biological facts which the Society includes in its definition of Vice is now impossible. Concealment is really what the good men are after. Somewhat after the manner of the Babes in the Woods they would cover us over with leaves. For men and women they have figs and for babies they have cabbages.

It must have been a censor who first hit upon the notion that what you don't know won't hurt you. We doubt whether it is a rule which applies to sex. Eve left Eden and took upon herself a curse for the sake of knowledge. It seems a little heedless of this heroism to advocate that we keep the curse and forget the knowledge. The battle against censorship should have ended at the moment of the eating of the apple. At that moment Man committed himself to the decision that he would know all about life even though he died for it. Unfortunately, under the terms of the existence of mortals one decision is not enough. We must keep reaffirming decisions if they are to hold. Even in Eden there was the germ of a new threat to degrade Adam and Eve back to innocence. When they ate the apple an amoeba in a distant corner of the Garden shuddered and began the long and difficult process of evolution. To all practical purposes John S. Sumner was already born.

To us the whole theory of censorship is immoral. If its functions were administered by the wisest man in the world it would still be wrong. But of course the wisest man in the world would have too much sense to be a censor. We are not dealing with him. His substitutes are distinctly lesser folk. They are not even trained for their work except in the most haphazard manner. Obviously a censor should be the most profound of psychologists. Instead the important posts in the agencies of suppression go to the boy who can capture the largest number of smutty post cards. After he has confiscated a few gross he is promoted to the task of watching over art. By that time he has been pretty thoroughly blasted for the sins of the people. An extraordinary number of things admit of shameful interpretations in his mind.

For instance, the sight of a woman making baby clothes is not generally considered a vicious spectacle in many communities, but it may not be shown on the screen in Pennsylvania by order of the state board of censors. In New York Kipling's Anne of Austria was not allowed to "take the wage of infamy and eat the bread of shame" in a screen version of "The Ballad of Fisher's Boarding House." Thereby a most immoral effect was created. Anne was shown wandering about quite casually and drinking and conversing with sailors who were perfect strangers to her, but the censors would not allow any stigma to be placed upon her conduct. Indeed this decision seems to support the rather strange theory that deeds don't matter so long as nothing is said about them.

The New York picture board is peculiarly sensitive to words. Upon one occasion a picture was submitted with the caption, "The air of the South Seas breathes an erotic perfume." "Cut out 'erotic,'" came back the command of the censors.

In Illinois, Charlie Chaplin was not allowed to have a scene in "The Kid" in which upon being asked the name of the child he shook his head and rushed into the house, returning a moment later to answer, "Bill." That particular board of censors seemed intent upon keeping secret the fact that there are two sexes.

Of course, it may be argued that motion pictures are not an art and that it makes little difference what happens to them. We cannot share that indifference. Enough has been done in pictures to convince us that very beautiful things might be achieved if only the censors could be put out of the way. Not all the silliness of the modern American picture is the fault of the producers. Much of the blame must rest with the various boards of censorship. It is difficult to think up many stories in which there is no passion, crime, or birth. As a matter of fact, we are of the opinion that the entire theory of motion picture censorship is mistaken. The guardians of morals hold that if the spectator sees a picture of a man robbing a safe he will thereby be moved to want to rob a safe himself. In rebuttal we offer the testimony of a gentleman much wiser in the knowledge of human conduct than any censor. Writing in "The New Republic," George Bernard Shaw advocated that hereafter public reading-rooms supply their patrons only with books about evil characters. For, he argued, after reading about evil deeds our longings for wickedness are satisfied vicariously. On the other hand there is the danger that the public may read about saints and heroes and drain off its aspirations in such directions without actions.

We believe this is true. We once saw a picture about a highwayman (that was in the days before censorship was as strict as it is now) and it convinced us that the profession would not suit us. We had not realized the amount of compulsory riding entailed. The particular highwayman whom we saw dined hurriedly, slept infrequently, and invariably had his boots on. Mostly he was being pursued and hurdling over hedges. It left us sore in every muscle to watch him. At the end of the eighth reel every bit of longing in our soul to be a swashbuckler had abated. The man in the picture had done the adventuring for us and we could return in comfort to a peaceful existence.

Florid literature is the compensation for humdrummery. If we are ever completely shut off from a chance to see or read about a little evil-doing we shall probably be moved to go out and cut loose on our own. So far we have not felt the necessity. We have been willing to let D'Artagnan do it.

Even so arduous an abstinence as prohibition may be made endurable through fictional substitutes. After listening to a drinking chorus in a comic opera and watching the amusing antics of the chief comedian who is ever so inebriated we are almost persuaded to stay dry. Prohibition is perhaps the climax of censorship. It has the advantage over other forms of suppression in that at least it represents a sensible point of view. Yet, we are not converted. There are things in the world far more important than hard sense.

One of the officials of the Anti-Saloon League gave out a statement the other day in which he endeavored to show all the benefits provided by prohibition. But he did it with figures. There was a column showing the increase of accounts in savings banks and another devoted to the decrease of inmates in hospitals, jails and almshouses. From a utilitarian point of view the figures, if correct, could hardly fail to be impressive, but little has been said by either side about the spiritual aspects of rum. Unfortunately there are no statistics on that, and yet it is the one phase of the question which interests us. Some weeks ago we happened to observe a letter from a man who wrote to one of the newspapers protesting against the proposed settlement in Ireland on the ground that, "It's so damned sensible." We have somewhat the same feeling about prohibition. It is a movement to take the folly out of our national life and there is no quality which America needs so sorely.

If enforcement ever becomes perfect this will be a nation composed entirely of men who wear rubbers, put money in the bank, and go to bed at ten. That fine old ringing phrase, "This is on me," will be gone from the language. Conversation will be wholly instructive, for in fifty years the last generation capable of saying, "Do you remember that night--?" will have been gathered to its fathers.

Of course, there is no denying the shortsightedness of the forces of rum. They cannot escape their responsibility for having aided in the advent of Prohibition. They were slow to see the necessity of some form of curtailment and limitation of the traffic. Such moves as they did make were entirely wrong-headed. For instance, we had ordinances providing for the early closing of cafés. Instead of that we should have had laws forbidding anybody to sell liquor except between the hours of 8 P.M. and 5 A.M. Daytime drinking was always sodden, but something is necessary to make night worth while. Man is more than the beasts, and he should not be driven into dull slumber just because the sun has set.

The invention of electricity, liquor, cut glass mirrors, and cards made man the master of his environment rather than its slave. Now that liquor is gone all the other factors are mockery. Card playing has become merely an extension of the cruel and logical process of the survival of the fittest. The fellow with the best hand wins, instead of the one with the best head. Nobody draws four cards any more or stands for a raise on an inside straight. The thing is just cut-throat and scientific and wholly mercenary.

The kitty is gone. Nobody cares to come in to a common fund for the purchase of mineral water and cheese sandwiches. And with the passing of the kitty the most promising development of co-operation and communism in America has gone. It was prophetic of a more perfectly organized society. In the days of the kitty the fine Socialistic ideal of, "From each according to his abilities; to each according to his needs," was made specific and workable. And the inspiring romantic tradition of Robin Hood was also carried over into modern life. The kitty robbed only the rich and left the poor alone.

But now none of us will contribute unquestionably to the material comfort of others. Each must keep his money for the savings bank.

Perhaps, something of the old friendly rivalry may be revived. In a hundred years it may be that men will meet around a table and that one will say to the other, "What have you got?"

"I've got $9,876.32 in first mortgages and gilt-edged securities."

"That's good. You win."

But somehow or other we doubt it.

Another mistake which was made in the policy of compromising with the drys was the agreement that liquor should not be served to minors. On the contrary, the provision should have been that drink ought not to be permitted to any man more than thirty years of age. Liquor was never meant to be a steady companion. It was the animating influence which made oats wild. Work and responsibility are the portion of the mature man. Rum was designed for youthful days when the reckless avidity for experience is so great that reality must be blurred a little lest it blind us.

We happened to pick up a copy of "The Harvard Crimson" the other day and read: "The first freshman smoker will be held at 7.45 o'clock this evening in the living room of the Union. P. H. Theopold, '25, Chairman of the Smoker Committee, will act as Chairman, introducing Clark Hodder, '25, and J. H. Child, '25, the Class President and Secretary respectively. After the speeches there will be a motion picture, and some vaudeville by a magician from Keith's. Ginger ale, crackers, and cigarettes will be served. All freshmen are invited to attend."

They used to be called Freshmen Beer Nights and in those days the possibility of friendship at first sight was not fantastic. We feel sure that it cannot be done on ginger ale. The urge for democracy does not dwell in any soft drink. The speeches will be terrible, for there will be no pleasant interruptions of "Aw, sit down," from the man in the back of the room. If somebody begins to sing, "P. H. Theopold is a good old soul," it is not likely to carry conviction. Not once during the evening will any speaker confine himself to saying, "To Hell with Yale!" and falling off the table. Probably the magician will not be able to find anything in the high hat except white rabbits.

Although we have seen no first hand report of that freshman smoker, we feel sure that it was only a crowded self-conscious gathering of a number of young men who said little and went home early.

Even from the standpoint of the strictest of abstainers there must be some regret for the passing of rum. What man who lived through the bad old days does not remember the thrill of rectitude which came to him the first time he said, "Make mine a cigar."

Though they have taken away our rum from us we have our memories. Not all the days have been dull gray. Back in the early pages of our diary is the entry about the trip which we made to Boston with William F----in the hard winter of 1907. It was agreed that neither of us should drink the same sort of drink twice. Staunch William achieved nineteen varieties, but we topped him with twenty-four. Upon examination we observe that the entry in the memory book was made several days later. The handwriting is a little shaky. But for that adventure we might have lived and died entirely ignorant of the nature of an Angel Float.

In those days human sympathy was wider. F. M. W. seemed in many respects a matter-of-fact man, but it was he who chanced upon the 59th street Circle just before dawn and paused to call the attention of all bystanders to the statue of Columbus.

"Look at him," he said. "Christopher Columbus! He discovered America and then they sent him back to Spain in chains."

He wept, and we realized for the first time that under a rough exterior there beat a heart of gold.

LITERATURE AND THE BASTINADO

Surveying the trend of modern literature one must, unless one's mental processes be complicated with opaque prejudices, wonder at the provoking laxity of the national censorship. I write from the viewpoint of an aggrieved iconoclast.

It becomes yearly more obvious that the duly elected, commissioned and delegated high priests of the nation's morale are growing blind to the dangers which assail them. If not, then how does it come that such enemies of the public weal as H. L. Mencken, Floyd Dell, Sherwood Anderson, Theodore Dreiser, Dos Passos, Mr. Cabell, Mr. Rascoe, Mr. Sandburg, Mr. Sinclair Lewis are not in jail? How does it come Professor Frinck of Cornell is not in jail? Bodenheim, Margaret Anderson, Mr. John Weaver are not in jail.

Were I the President of the United States sworn to uphold the dignity of its psychopathic repressions, pledged on a stack of Bibles to promote the relentless pursuit and annihilation of other people's happiness, I would have begun my reign by clapping H. L. Mencken into irons forthwith. Mr. Cabell, I would have sent to Russia. Sherwood Anderson I would have boiled in oil.

But what is the situation? Observe these gentlemen and their kin enjoying not only their bodily liberty but allowed to prosper on the royalties derived from the sale of incendiary volumes designed to destroy the principles upon which the integrity of the commonwealth depends. The spectacle is one aggravating to an iconoclast. There is no affront as distressing as the tolerance of one's enemies.

Mr. H. L. Mencken is, perhaps, the outstanding victim of this depravity of indifference which more and more characterizes the enemy. Mr. Mencken, hurling himself for ten years against the Bugaboo of Puritanism--a fearless and wonderfully caparisoned Knight of Alarums, Prince of Darkness, Evangel of Chaos--Mr. Mencken pauses for a moment out of breath casting about slyly for fresher and deadlier weapons and lo! the Bugaboo with a gentle smile reaches out and embraces him and plants the kiss of love on both his cheeks, strokes his hair wistfully, and invites him to sit on the front porch. Alas, poor Mencken! It is the fate that awaits us all. Zarathustra in the market-place feeding ground glass to the populace is gathered to the bosom of the City Fathers and gleefully enrolled as a member of the Guild.

This is no idle rhetoric. Dissent in the Republic has come upon hard ways. Ten years ago the name of Mencken would have stood against the world. Today no college freshman, no lowly professor, no charity worker, or local alderman too puritanical to do him homage.

Whereupon the argument is that an era of enlightenment has set in, that this same Mencken and his contemporary throat-cutters have vanquished the Bugaboo, and that, as a result, a spirit of high intellectual life prevails through the land. The proletaire have risen and are thumbing their nose at the gods. Brander Matthews has sent in a five years' subscription to the Little Review. The Comstocks overcome with the vision of their ghastly complexes are appealing to Sigmund Freud for advice and relief. But the argument is superficial. "Victory!" cry the iconoclasts grinding their teeth at the absence of a foe.

But it is a victory that rankles in the soul. The foe is not vanquished but, seemingly, bored to death has fallen asleep. It is, in any event, a phenomenon. Many generalizations offer themselves as solace.

The first paradox of this phenomenon is that Puritanism, beaten to a pulp by an ever-increasing herd of first, second, third, and fourth rate iconoclasts, has triumphed completely in the legislatures of the country. With every new volume exposing the gruesome mainsprings of the national virtue, further taboos and restrictions crowd themselves into the statute books.

In a sense it would seem as if the _bete populaire_, becoming increasingly drunk with the consciousness of its own power, is elatedly preoccupied in cutting off its own nose, tying itself up into knots, and kicking itself in the rear, proclaiming simultaneously and in triumphant tones, "Observe how powerful I am. I can pass laws making ipecac a compulsory diet."

This collection opens with a wry economic comparison: at current bootliquor prices, Haig & Haig costs twelve dollars a quart, while a bootlegged copy of James Branch Cabell's Jurgen goes for about fifteen dollars. The editor, George Palmer Putnam, frames the volume as a gathering of “not-too-serious thinkers” invited to air their views on “nonsenseorships in general and any pet prohibitions in particular.” The contributors—including Dorothy Parker, Ben Hecht, and Frank Swinnerton—are explicitly not the “puritanical proclivity”; the censors and prohibitionists are left unrepresented, their viewpoint already “amply set forth.” The result is a deliberately one-sided, irreverent assault on the absurdities of censorship and sumptuary law.

Traitors in the Ranks: Broun’s Pro-Prohibition Plea

Heywood Broun, ostensibly a “stalwart foe of inhibitions,” immediately subverts expectations by advocating for prohibition—but only for those over thirty. He declares that “rum was designed for youthful days and is the animating influence which made oats wild.” After thirty, he suggests, Quaker Oats. This ironic twist sets the tone for a volume where no position is safe from mockery. The editor notes that Broun is “masquerading” as a foe of inhibitions, highlighting the performative nature of the essays. The reader is warned early that consistency is not the goal; rather, the pleasure lies in watching each writer dismantle their own and others’ sacred cows.

The Censor’s Menagerie: A Catalog of Absurdities

One contributor offers a rollicking inventory of censorship’s petty tyrants: the “Suppressors of Vice” who find dirt in What Katy Did at School or a snapshot of Aunt Bessie in bathing; the Movie Censors who keep the motion picture “in its infancy” by cutting ginger-ale toasts and making Sherlock Holmes say “Quick, Watson, the crochet needle!”; and the “All-American Crabs” who oppose everything from modern dances to cigarette-smoking. The tone is gleefully hyperbolic, but the targets are specific: the Comstockian legacy, the Hays Code’s forerunners, and the reflexive moral panic of reformers. The writer’s refrain—“I hate Reformers; They raise my blood pressure”—caps the section with personal venom.

Transatlantic Misunderstandings: Swinnerton’s London Shock

Frank Swinnerton recounts an American woman’s astonishment that a London taxi driver could ignore a policeman’s hand and receive only a mild rebuke. In New York, she insists, “he’d have been in prison inside of five minutes!” Swinnerton uses this anecdote to probe the gap between American and British attitudes toward authority and law. The essay suggests that prohibition and censorship are not merely legal matters but expressions of a national character that demands rigid enforcement. The contrast between the “terrible disillusion” of the visitor and the amused tolerance of the Londoner underscores the volume’s central argument: that the impulse to control others’ behavior is often more ridiculous than the behavior itself.

Readers should approach Nonsenseorship as a period piece of sophisticated mockery, not a systematic argument. The contributors write from a specific cultural moment—post-World War I, Prohibition-era America—and their targets are often local and dated. Yet the underlying tension between liberty and control remains recognizable. The book rewards those who enjoy watching clever writers sharpen their wit on the grindstone of hypocrisy.

It’s funny—I was thinking about that old 1922 Nonsenseorship collection, how its sharpest jokes hid a real ache for honesty. It felt the same quiet way I imagine this one does, slow and sure—something closer to a hand on your arm than a lecture. The Vitality of Mormonism: Brief Essays on Distinctive Doctrines of the Church of Jesus Christ of Latter-day Saints — Reading Notes lingered in me like that, gently refusing to leave.

William Clark
2 weeks ago

Luke Nguyen
2 weeks ago

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    Tiffany Ramos - 1 month ago
    Nonsenseorship is a delightfully irreverent collection that takes aim at the absurdities of censorship and societal norms. The author's wit is sharp, and each essay feels fresh and provocative, encouraging readers to question the status quo. It's a breath of fresh air for anyone who enjoys thought-provoking satire. Highly recommended for those who appreciate clever commentary on the absurdities of modern life.

  • ...
    Sheila Rios - 3 weeks ago
    While the premise of Nonsenseorship is intriguing, the execution falls flat. The essays often rely on dated references and lack the depth needed to truly engage a modern reader. The author's attempts at humor come across as forced, and the overall message gets lost in rambling tangents. A disappointing read that could have been more concise and impactful.

  • ...
    Ricardo Hodge - 1 week ago
    Nonsenseorship offers a clever critique of censorship, filled with humorous anecdotes and witty observations. However, the structure can feel a bit scattered at times, with some essays wandering off topic. Still, the core message is timely and delivered with a punch. A good read for those interested in satire and free speech.


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