The Life of the Fields — Reading Companion

There was a presence everywhere though unseen, on the open hills, and not shut out under the dark pines. Dear were the June roses then because for another gathered. Yet even dearer now with so many years as it were upon the petals; all the days that have been before, all the heart-throbs, all our hopes lie in this opened bud. Let not the eyes grow dim, look not back but forward; the soul must uphold itself like the sun. Let us labour to make the heart grow larger as we become older, as the spreading oak gives more shelter. That we could but take to the soul some of the greatness and the beauty of the summer!

Still the pageant moves. The song-talk of the finches rises and sinks like the tinkle of a waterfall. The greenfinches have been by me all the while. A bullfinch pipes now and then further up the hedge where the brambles and thorns are thickest. Boldest of birds to look at, he is always in hiding. The shrill tone of a goldfinch came just now from the ash branches, but he has gone on. Every four or five minutes a chaffinch sings close by, and another fills the interval near the gateway. There are linnets somewhere, but I cannot from the old apple tree fix their exact place. Thrushes have sung and ceased; they will begin again in ten minutes. The blackbirds do not cease; the note tittered by a blackbird in the oak yonder before it can drop is taken up by a second near the top of the field, and ere it falls is caught by a third on the left-hand side. From one of the topmost boughs of an elm there fell the song of a willow warbler for awhile; one of the least of birds, he often seeks the highest branches of the highest tree.

A yellowhammer has just flown from a bare branch in the gateway, where he has been perched and singing a full hour. Presently he will commence again, and as the sun declines will sing him to the horizon, and then again sing till nearly dusk. The yellowhammer is almost the longest of all the singers; he sits and sits and has no inclination to move. In the spring he sings, in the summer he sings, and he continues when the last sheaves are being carried from the wheat field. The redstart yonder has given forth a few notes, the whitethroat flings himself into the air at short intervals and chatters, the shrike calls sharp and determined, faint but shrill calls descend from the swifts in the air These descend, but the twittering notes of the swallows do not reach so far--they are too high to-day. A cuckoo has called by the brook, and now fainter from a greater distance. That the titlarks are singing I know, but not within hearing from here; a dove, though, is audible, and a chiffchaff has twice passed. Afar beyond the oaks at the top of the field dark specks ascend from time to time, and after moving in wide circles for awhile descend again to the corn. These must be larks; but their notes are not powerful enough to reach me, though they would were it not for the song in the hedges, the hum of innumerable insects, and the ceaseless "crake, crake" of landrails. There are at least two landrails in the mowing-grass; one of them just now seemed coming straight towards the apple tree, and I expected in a minute to see the grass move, when the bird turned aside and entered the tufts and wild parsley by the hedge. Thence the call has come without a moment's pause, "crake, crake," till the thick hedge seems filled with it. Tits have visited the apple tree over my head, a wren has sung in the willow, or rather on a dead branch projecting lower down than the leafy boughs, and a robin across under the elms in the opposite hedge. Elms are a favourite tree of robins--not the upper branches, but those that grow down the trunk, and are the first to have leaves in spring.

The yellowhammer is the most persistent individually, but I think the blackbirds when listened to are the masters of the fields. Before one can finish another begins, like the summer ripples succeeding behind each other, so that the melodious sound merely changes its position. Now here, now in the corner, then across the field, again in the distant copse, where it seems about to sink, when it rises again almost at hand. Like a great human artist, the blackbird makes no effort, being fully conscious that his liquid tone cannot be matched. He utters a few delicious notes, and carelessly quits the green stage of the oak till it pleases him to sing again. Without the blackbird, in whose throat the sweetness of the green fields dwells, the days would be only partly summer. Without the violet all the bluebells and cowslips could not make a spring, and without the blackbird even the nightingale would be but half welcome. It is not yet noon, these songs have been ceaseless since dawn; this evening, after the yellowhammer has sung the sun down, when the moon rises and the faint stars appear, still the cuckoo will call, and the grasshopper lark, the landrail's "crake, crake" will echo from the mound, a warbler or a blackcap will utter his notes, and even at the darkest of the summer night the swallows will hardly sleep in their nests. As the morning sky grows blue, an hour before the sun, up will rise the larks singing and audible now, the cuckoo will recommence, and the swallows will start again on their tireless journey. So that the songs of the summer birds are as ceaseless as the sound of the waterfall which plays day and night.

I cannot leave it; I must stay under the old tree in the midst of the long grass, the luxury of the leaves, and the song in the very air. I seem as if I could feel all the glowing life the sunshine gives and the south wind calls to being. The endless grass, the endless leaves, the immense strength of the oak expanding, the unalloyed joy of finch and blackbird; from all of them I receive a little. Each gives me something of the pure joy they gather for themselves. In the blackbird's melody one note is mine; in the dance of the leaf shadows the formed maze is for me, though the motion is theirs; the flowers with a thousand faces have collected the kisses of the morning. Feeling with them, I receive some, at least, of their fulness of life. Never could I have enough; never stay long enough--whether here or whether lying on the shorter sward under the sweeping and graceful birches, or on the thyme-scented hills. Hour after hour, and still not enough. Or walking the footpath was never long enough, or my strength sufficient to endure till the mind was weary. The exceeding beauty of the earth, in her splendour of life, yields a new thought with every petal. The hours when the mind is absorbed by beauty are the only hours when we really live, so that the longer we can stay among these things so much the more is snatched from inevitable Time. Let the shadow advance upon the dial-I can watch it with equanimity while it is there to be watched. It is only when the shadow is _not_ there, when the clouds of winter cover it, that the dial is terrible. The invisible shadow goes on and steals from us. But now, while I can see the shadow of the tree and watch it slowly gliding along the surface of the grass, it is mine. These are the only hours that are not wasted--these hours that absorb the soul and fill it with beauty. This is real life, and all else is illusion, or mere endurance. Does this reverie of flowers and waterfall and song form an ideal, a human ideal, in the mind? It does; much the same ideal that Phidias sculptured of man and woman filled with a godlike sense of the violet fields of Greece, beautiful beyond thought, calm as my turtle-dove before the lurid lightning of the unknown. To be beautiful and to be calm, without mental fear, is the ideal of nature. If I cannot achieve it, at least I can think it.

"Save the nightingale alone; She, poor bird, as all forlorn, Lean'd her breast uptill a thorn." --_Passionate Pilgrim._

She pinned her torn dress with a thorn torn from the bushes through which she had scrambled to the hay-field. The gap from the lane was narrow, made more narrow by the rapid growth of summer; her rake caught in an ash-spray, and in releasing it she "ranted" the bosom of her print dress. So soon as she had got through she dropped her rake on the hay, searched for a long, nail-like thorn, and thrust it through, for the good-looking, careless hussy never had any provision of pins about her. Then, taking a June rose which pricked her finger, she put the flower by the "rant", or tear, and went to join the rest of the hay-makers. The blood welled up out of the scratch in the finger more freely than would have been supposed from so small a place. She put her lips to it to suck it away, as folk do in all quarters of the earth yet discovered, being one of those instinctive things which come without teaching. A red dot of blood stained her soft white cheek, for, in brushing back her hair with her hand, she forgot the wounded finger. With red blood on her face, a thorn and a rose in her bosom, and a hurt on her hand, she reached the chorus of rakers.

The farmer and the sun are the leading actors, and the hay-makers are the chorus, who bear the burden of the play. Marching, each a step behind the other, and yet in a row, they presented a slanting front, and so crossed the field, turning the "wallows." At the hedge she took her place, the last in the row. There were five men and eight women; all flouted her. The men teased her for being late again at work; she said it was so far to come. The women jeered at her for tearing her dress--she couldn't get through a "thornin'" hedge right. There was only one thing she could do, and that was to "make a vool of zum veller" (make a fool of some fellow). Dolly did not take much notice, except that her nervous temperament showed slight excitement in the manner she used her rake, now turning the hay quickly, now missing altogether, then catching the teeth of the rake in the buttercup-runners. The women did not fail to tell her how awkward she was. By-and-by Dolly bounced forward, and, with a flush on her cheek, took the place next to the men. They teased her too, you see, but there was no spiteful malice in their tongues. There are some natures which, naturally meek, if much condemned, defy that condemnation, and willingly give it ground of justification by open guilt. The women accused her of too free a carriage with the men; she replied by seeking their company in the broad glare of the summer day. They laughed loudly, joked, but welcomed her; they chatted with her gaily; they compelled her to sip from their ale as they paused by the hedge. By noon there was a high colour on her cheeks; the sun, the exercise, the badinage had brought it up.

So fair a complexion could not brown even in summer, exposed to the utmost heat. The beams indeed did heighten the hue of her cheeks a little, but it did not shade to brown. Her chin and neck were wholly untanned, white and soft, and the blue veins roamed at their will. Lips red, a little full perhaps; teeth slightly prominent but white and gleamy as she smiled. Dark brown hair in no great abundance, always slipping out of its confinement and straggling, now on her forehead, and now on her shoulders, like wandering bines of bryony. The softest of brown eyes under long eyelashes; eyes that seemed to see everything in its gentlest aspect, that could see no harm anywhere. A ready smile on the face, and a smile in the form. Her shape yielded so easily at each movement that it seemed to smile as she walked. Her nose was the least pleasing feature--not delicate enough to fit with the complexion, and distinctly upturned, though not offensively. But it was not noticed; no one saw anything beyond the laughing lips, the laughing shape, the eyes that melted so near to tears. The torn dress, the straggling hair, the tattered shoes, the unmended stocking, the straw hat split, the mingled poverty and carelessness--perhaps rather dreaminess--disappeared when once you had met the full untroubled gaze of those beautiful eyes. Untroubled, that is, with any ulterior thought of evil or cunning; they were as open as the day, the day which you can make your own for evil or good. So, too, like the day, was she ready to the making.

No stability; now fast in motion; now slow; now by fits and starts; washing her face to-day, her hands to-morrow. Never going straight, even along the road; talking with the waggoner, helping a child to pick watercress, patting the shepherd's dog, finding a flower, and late every morning at the hay-field. It was so far to come, she said; no doubt it was, if these stoppings and doublings were counted in. No character whatever, no more than the wind; she was like a well-hung gate swinging to a touch; like water yielding to let a reed sway; like a singing-flame rising and falling to a word, and even to an altered tone of voice. A word pushed her this way; a word pushed her that. Always yielding, sweet, and gentle. Is not this the most seductive of all characters in women?

Had they left her alone, would it have been any different? Those bitter, coarse, feminine tongues which gave her the name of evil, and so led her to openly announce that, as she had the name, she would carry on the game. That is an old country saying, "Bear the name, carry the game." If you have the name of a poacher, then poach; you will be no worse off and you will have the pleasure of the poaching. It is a serious matter, indeed, to give any one a bad name, more especially a sensitive, nervous, beautiful girl.

Under the shady oaks at luncheon the men all petted her and flattered her in their rude way, which, rude as it was, had the advantage of admitting of no mistake. Two or three more men strolled up from other fields, luncheon in hand and eating as they came, merely to chat with her. One was a mower--a powerful fellow, big boned, big everywhere, and heavy fisted; his chest had been open since four o'clock that morning to the sun, and was tanned like his face. He took her in his mighty arms and kissed her before them all; not one dared move, for the weight of that bone-smashing fist was known. Big Mat drank, as all strong men do; he fought; beyond that there was nothing against him. He worked hard, and farmers are only too glad of a man who will work. He was rather a favourite with the master, and trusted. He kissed her twice, and then went back to his work of mowing, which needs more strength than any other country labour--a mower is to a man what a dray-horse is to a horse.

They lingered long over the luncheon under the shady oaks, with the great blue tile of the sky overhead, and the sweet scent of hay around them. They lingered so long, that young Mr. Andrew came to start them again, and found Dolly's cheeks all aglow. The heat and the laughter had warmed them; her cheeks burned, in contrast to her white, pure forehead--for her hat was off--and to the cool shade of the trees. She lingered yet a little longer chatting with Mr. Andrew--lingered a full half-hour--and when they parted, she had given him a rose from the hedge. Young Mr. Andrew was but half a farmer's son; he was destined for a merchant's office in town; he had been educated for it, and was only awaiting the promised opening. He was young, but no yokel; too knowing of town cunning and selfish hardness to entangle himself. Yet those soft brown eyes, that laughing shape; Andrew was very young and so was she, and the summer sun burned warm.

The blackbirds whistled the day away, and the swallows sought their nests under the eaves. The curved moon hung on the sky as the hunter's horn on the wall. Timid Wat--the hare--came ambling along the lane, and almost ran against two lovers in a recess of the bushes by an elm. Andrew, Andrew! these lips are too sweet for you; get you to your desk--that smiling shape, those shaded, soft brown eyes, let them alone. Be generous--do not awaken hopes you can never, never fulfil. The new-mown hay is scented yet more sweetly in the evening--of a summer's eve it is always too soon to go home.

The blackbirds whistled again, big Mat slew the grass from the rising to the going down of the sun--moon-daisies, sorrel, and buttercups lay in rows of swathe as he mowed. I wonder whether the man ever thought, as he reposed at noontide on a couch of grass under the hedge? Did he think that those immense muscles, that broad, rough-hewn plank of a chest of his, those vast bones encased in sinewy limbs--being flesh in its fulness--ought to have more of this earth than mere common men, and still more than thin-faced people--mere people, not men--in black coats? Did he dimly claim the rights of strength in his mind, and arrogate to himself the prerogatives of arbitrary kings? Who knows what big processes of reasoning, dim and big, passed through his mind in the summer days? Did he conclude he had a right to take what others only asked or worked for?

The sweet scent of the new-mown hay disappeared, the hay became whiter, the ricks rose higher, and were topped and finished. Hourly the year grew drier and sultry, as the time of wheat-harvest approached. Sap of spring had dried away; dry stalk of high summer remained, browned with heat. Mr. Andrew (in the country the son is always called by his Christian name, with the prefix Master or Mr.) had been sent for to London to fill the promised lucrative berth. The reapers were in the corn--Dolly tying up; big Mat slashing at the yellow stalks. Why the man worked so hard no one could imagine, unless it was for pure physical pleasure of using those great muscles. Unless, indeed, a fire, as it were, was burning in his mind, and drove him to labour to smother it, as they smother fires by beating them. Dolly was happier than ever--the gayest of the gay. She sang, she laughed, her white, gleaming teeth shone in the sunshine; it was as if she had some secret which enabled her to defy the taunts and cruel, shameless words hurled at her, like clods of earth, by the other women. Gay she was, as the brilliant poppies who, having the sun as their own, cared for nothing else.

Till suddenly, just before the close of harvest, Dolly and Mat were missing from the field. Of course their absence was slanderously connected, but there was no known ground for it. Big Mat was found intoxicated at the tavern, from which he never moved for a fortnight, spending in one long drain of drink the lump of money his mighty arms had torn from the sun in the burning hours of work. Dolly was ill at home; sometimes in her room, sometimes downstairs; but ill, shaky and weak--ague they called it. There were dark circles round her eyes, her chin drooped to her breast; she wrapped herself in a shawl in all the heat. It was some time before even the necessity of working brought her forth again, and then her manner was hurried and furtive; she would begin trembling all of a minute, and her eyes filled quickly.