Mr. Dooley's Philosophy — Inside the Classic
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th' thought that their riprisintative had been kilt be th' future governor iv New York. Th' bullet sped on its mad flight an' passed through th' intire line fin'lly imbeddin' itself in th' abdomen iv th' Ar-rch-bishop iv Santiago eight miles away. This ended th' war.'
“'They has been some discussion as to who was th' first man to r-reach th' summit iv San Juon hill. I will not attempt to dispute th' merits iv th' manny gallant sojers, statesmen, corryspondints an' kinetoscope men who claim th' distinction. They ar-re all brave men an' if they wish to wear my laurels they may. I have so manny annyhow that it keeps me broke havin' thim blocked an' irned. But I will say f'r th' binifit iv Posterity that I was th' on'y man I see. An I had a tillyscope.'”
“I have thried, Hinnissy,” Mr. Dooley continued, “to give you a fair idee iv th' contints iv this remarkable book, but what I've tol' ye is on'y what Hogan calls an outline iv th' principal pints. Ye'll have to r-read th' book ye'ersilf to get a thrue conciption. I haven't time f'r to tell ye th' wurruk Tiddy did in ar-rmin' an' equippin' himself, how he fed himsilf, how he steadied himsilf in battle an' encouraged himsilf with a few well-chosen wurruds whin th' sky was darkest. Ye'll have to take a squint into th' book ye'ersilf to l'arn thim things.”
“I won't do it,” said Mr. Hennessy. “I think Tiddy Rosenfelt is all r-right an' if he wants to blow his hor-rn lave him do it.”
“Thrue f'r ye,” said Mr. Dooley, “an' if his valliant deeds didn't get into this book 'twud be a long time befure they appeared in Shafter's histhry iv th' war. No man that bears a gredge again' himsilf 'll iver be governor iv a state. An' if Tiddy done it all he ought to say so an' relieve th' suspinse. But if I was him I'd call th' book 'Alone in Cubia.'”
“I wondher,” said Mr. Dooley, “what me Dutch frind Oom Paul'll think whin he hears that Willum Waldorf Asthor has given four thousan' pounds or twinty thousan' iv our money as a conthribution to th' British governmint?”
“Who's Willum Waldorf Asthor?” Mr. Hennessy asked. “I niver heerd iv him.”
“Ye wudden't,” said Mr. Dooley. “He don't thravel in ye'er set. Willum Waldorf Asthor is a gintleman that wanst committed th' sin iv bein' bor-rn in this counthry. Ye know what orig-inal sin is, Hinnissy. Ye was bor-rn with wan an' I was bor-rn with wan an' ivrybody was bor-rn with wan. 'Twas took out iv me be Father Tuomy with holy wather first an' be me father aftherward with a sthrap. But I niver cud find out what it was. Th' sins I've committed since, I'm sure iv. They're painted red an' carry a bell an' whin I'm awake in bed they stan' out on th' wall like th' ilicthric signs they have down be State sthreet in front iv th' clothin' stores. But I'll go to th' grave without knowin' exactly what th' black orig-inal sin was I committed. All I know is I done wrong. But with Willum Waldorf Asthor 'tis dif'rent. I say 'tis diff'rent with Willum Waldorf Asthor. His orig-inal sin was bein' bor-rn in New York. He cudden't do anything about it. Nawthin' in this counthry wud wipe it out. He built a hotel intinded f'r jooks who had no sins but thim iv their own makin', but even th' sight iv their haughty bills cud not efface th' stain. He thried to live down his crime without success an' he thried to live down to it be runnin' f'r congress, but it was no go. No matther where he wint among his counthrymen in England some wan wud find out he was bor-rn in New York an' th' man that ownded th' house where he was spindin' th' night wud ast him if he was a cannibal an' had he anny Indyan blood in his veins. 'Twas like seein' a fine lookin' man with an intel-lecjal forehead an' handsome, dar-rk brown eyes an' admirin' him, an' thin larnin' his name is Mudd J. Higgins. His accint was proper an' his clothes didn't fit him right, but he was not bor-rn in th' home iv his dayscindants, an' whin he walked th' sthreets iv London he knew ivry polisman was sayin': 'There goes a man that pretinds to be happy, but a dark sorrow is gnawin' at his bosom. He looks as if he was at home, but he was bor-rn in New York, Gawd help him.”
“So this poor way-worn sowl, afther thryin' ivry other rimidy fr'm dhrivin' a coach to failin' to vote, at las' sought out th' rile high clark iv th' coort an' says he: 'Behold,' he says, 'an onhappy man,' he says. 'With millyons in me pocket, two hotels an' onlimited credit, 'he says, 'me hear-rt is gray,' he says. 'Poor sowl,' says th' clark iv th' coort, 'What's ailin' ye'?' he says. 'Have ye committed some gr-reat crime?' he says. 'Partly,' says Willum Waldorf Asthor. 'It was partly me an' partly me folks,' he says. 'I was,' he says, in a voice broken be tears, 'I was,' he says, 'bor-rn in New York,' he says. Th' clark made th' sign iv th' cross an' says he: 'Ye shudden't have come here,' he says. 'Poor afflicted wretch,' he says, 'ye need a clargyman,' he says. 'Why did ye seek me out?' he says. 'Because,' says Willum Waldorf Asthor, 'I wish,' he says, 'f'r to renounce me sinful life,' he says. 'I wish to be bor-rn anew,' he says. An' th' clark bein' a kind man helps him out. An' Willum Waldorf Asthor renounced fealty to all foreign sovereigns, princes an' potentates an' especially Mack th' Wanst, or Twict, iv th' United States an' Sulu an' all his wur-ruks an' he come out iv th' coort with his hat cocked over his eye, with a step jaunty and high, afther years iv servile freedom a bondman at last!
“So he's a citizen iv Gr-reat Britain now an' a lile subject iv th' Queen like you was Hinnissy befure ye was r-run out.”
“I niver was,” said Mr. Hennessy. “Sure th' Queen iv England was renounced f'r me long befure I did it f'r mesilf--to vote.”
“Well, niver mind,” Mr. Dooley continued, “he's a citizen iv England an' he has a castle that's as big as a hotel, on'y nobody goes there excipt thim that's ast, an' not all of those, an' he owns a newspaper an' th' editor iv it's the Prince iv Wales an' th' rayporthers is all jooks an' th' Archbishop iv Canterbury r-runs th' ilivator, an' slug wan in th' printin' office is th' Impror iv Germany in disgeese. 'Tis a pa-per I'd like to see. I'd like to know how th' Jook iv Marlbro'd do th' McGovern fight. An' some day Willum Waldorf Asthor'll be able to wurruk f'r his own pa-aper, f'r he's goin' to be a earl or a markess or a jook or somethin' gran'. Ye can't be anny iv these things without money, Hinnissy, an' he has slathers iv it.”
“Where does he get it?” demanded Mr. Hennessy.
“F'rm this counthry,” said Mr. Dooley.
“I shud think,” Mr. Hennessy protested stoutly, “if he's ashamed iv this counthry he wudden't want to take money f'rm it.”
“That's where ye're wrong,” Mr. Dooley replied. “Take money annywhere ye find it. I'd take money f'rm England, much as I despise that formerly haughty but now dejected land, if I cud get anny from there. An' whin ye come down to it, I dinnaw as I blame Willum Waldorf Asthor f'r shiftin' his allegiance. Ivry wan to his taste as th' man said whin he dhrank out iv th' fire extinguisher. It depinds on how ye feel. If ye ar-re a tired la-ad an' wan without much fight in ye, livin' in this counthry is like thryin' to read th' Lives iv the Saints at a meetin' iv th' Clan-na-Gael. They'se no quiet f'r annybody. They's a fight on ivry minyit iv th' time. Ye may say to ye'ersilf: 'I'll lave these la-ads roll each other as much as they plaze, but I'll set here in th' shade an' dhrink me milk punch, but ye can't do it. Some wan 'll say, 'Look at that gazabo settin' out there alone. He's too proud f'r to jine in our simple dimmycratic festivities. Lave us go over an' bate him on th' eye.' An' they do it. Now if ye have fightin' blood in ye'er veins ye hastily gulp down yeer dhrink an' hand ye'er assailant wan that does him no kind iv good, an' th' first thing ye know ye're in th thick iv it an' its scrap, scrap, scrap till th' undhertaker calls f'r to measure ye. An' 'tis tin to wan they'se somethin' doin' at th' fun'ral that ye're sorry ye missed. That's life in America. Tis a gloryous big fight, a rough an' tumble fight, a Donnybrook fair three thousan' miles wide an' a ruction in ivry block. Head an' ban's an' feet an' th' pitchers on th' wall. No holds barred. Fight fair but don't f'rget th' other la-ad may not know where th' belt line is. No polisman in sight. A man's down with twinty on top iv him wan minyit. Th' next he's settin' on th' pile usin' a base-ball bat on th' neighbor next below him. 'Come on, boys, f'r 'tis growin' late, an' no wan's been kilt yet. Glory be, but this is th' life!'
“Now, if I'm tired I don't want to fight. A man bats me in th' eye an' I call f'r th' polis. They isn't a polisman in sight. I say to th' man that poked me: 'Sir, I fain wud sleep.' 'Get up,' he says, 'an' be doin',' he says. 'Life is rale, life is earnest,' he says, 'an' man was made to fight,' he says, fetchin' me a kick. An' if I'm tired I say, 'What's th' use? I've got plenty iv money in me inside pocket. I'll go to a place where they don't know how to fight. I'll go where I can get something but an argymint f'r me money an' where I won't have to rassle with th' man that bates me carpets, ayether,' I says, 'f'r fifty cints overcharge or good govermint,' I says. An' I pike off to what Hogan calls th' effete monarchies iv Europe an' no wan walks on me toes, an' ivry man I give a dollar to becomes an acrobat an' I live comfortably an' die a markess! Th' divvle I do!
“That's what I was goin' to say,” Mr. Hennessy remarked. “Ye wudden't live annywhere but here.”
“No,” said Mr. Dooley, “I wudden't. I'd rather be Dooley iv Chicago than th' Earl iv Peltvule. It must be that I'm iv th' fightin' kind.”
Whin Congress gets through expellin' mimbers that believes so much in mathrimony that they carry it into ivry relation iv life an' opens th' dure iv Chiny so that an American can go in there as free as a Chinnyman can come into this refuge iv th' opprissed iv th' wurruld, I hope'twill turn its attintion to th' gr-reat question now confrontin' th' nation--th' question iv what we shall do with our hired help. What shall we do with thim?
“We haven't anny,” said Mr. Hennessy.
“No,” said Mr. Dooley. “Ar-rchey r-road has no servant girl problem. Th' rule is ivry woman her own cook an' ivry man his own futman, an' be th' same token we have no poly-gamy problem an' no open dure problem an' no Ph'lippeen problem. Th' on'y problem in Ar-rchey r-road is how manny times does round steak go into twelve at wan dollar-an-a-half a day. But east iv th' r-red bridge, Hinnissy, wan iv th' most cryin' issues iv th' hour is: What shall we do with our hired help? An' if Congress don't take hold iv it we ar-re a rooned people.”
“'Tis an ol' problem an' I've seen it arise an' shake its gory head ivry few years whiniver th' Swede popylation got wurruk an' begun bein' marrid, thus rayjoocin' th' visible supply iv help. But it seems 'tis deeper thin that. I see be letters in th' pa-apers that servants is insolent, an' that they won't go to wurruk onless they like th' looks iv their employers, an' that they rayfuse to live in th' counthry. Why anny servant shud rayfuse to live in th' counthry is more thin I can see. Ye'd think that this disreputable class'd give annything to lave th' crowded tinimints iv a large city where they have frinds be th' hundherds an' know th' polisman on th' bate an' can go out to hateful dances an' moonlight picnics--ye'd think these unforchnate slaves'd be delighted to live in Mulligan's subdivision, amid th' threes an' flowers an' bur-rds. Gettin' up at four o'clock in th' mornin' th' singin' iv th' full-throated alarm clock is answered be an invisible choir iv songsters, as Shakespere says, an' ye see th' sun rise over th' hills as ye go out to carry in a ton iv coal. All day long ye meet no wan as ye thrip over th' coal-scuttle, happy in ye'er tile an' ye'er heart is enlivened be th' thought that th' childher in th' front iv th' house ar-re growin' sthrong on th' fr-resh counthry air. Besides they'se always cookin' to do. At night ye can set be th' fire an' improve ye'er mind be r-readin' half th' love story in th' part iv th' pa-aper that th' cheese come home in, an' whin ye're through with that, all ye have to do is to climb a ladder to th' roof an' fall through th' skylight an' ye're in bed.”
“But wud ye believe it, Hinnissy, manny iv these misguided women rayfuse f'r to take a job that aint in a city. They prefer th' bustle an' roar iv th' busy marts iv thrade, th' sthreet car, th' saloon on three corners an' th' church on wan, th' pa-apers ivry mornin' with pitchers iv th' s'ciety fav'rite that's just thrown up a good job at Armours to elope with th' well-known club man who used to be yard-masther iv th' three B's, G, L, & N., th' shy peek into th' dhry-goods store, an' other base luxuries, to a free an' healthy life in th' counthry between iliven P.M. an' four A.M. Wensdahs an' Sundahs. 'Tis worse thin that, Hinnissy, f'r whin they ar-re in th' city they seem to dislike their wurruk an' manny iv thim ar-re givin' up splindid jobs with good large families where they have no chanst to spind their salaries, if they dhraw thim, an' takin' places in shops, an' gettin' marrid an' adoptin' other devices that will give thim th' chanst f'r to wear out their good clothes. 'Tis a horrible situation. Riley th' conthractor dhropped in here th' other day in his horse an' buggy on his way to the dhrainage canal an' he was all wurruked up over th' question. 'Why,' he says, ''tis scand'lous th' way servants act,' he says. 'Mrs. Riley has hystrics,' he says. 'An' ivry two or three nights whin I come home,' he says, 'I have to win a fight again' a cook with a stove lid befure I can move me family off th' fr-ront stoop,' he says. 'We threat thim well too,' he says. 'I gave th' las' wan we had fifty cints an' a cook book at Chris'mas an' th' next day she left befure breakfast,' he says. 'What naytionalties do ye hire?' says I. 'I've thried thim all,' he says, 'an',' he says, 'I'll say this in shame,' he says, 'that th' Irish ar-re th' worst,' he says. 'Well,' says I, 'ye need have no shame,' I says, 'f'r'tis on'y th' people that ar-re good servants that'll niver be masthers,' I says. 'Th' Irish ar-re no good as servants because they ar-re too good,' I says. 'Th' Dutch ar-re no good because they aint good enough. No matther how they start they get th' noodle habit. I had wan, wanst, an' she got so she put noodles in me tay,' I says. 'Th' Swedes ar-re all right but they always get marrid th' sicond day. Ye'll have a polisman at th' dure with a warrant f'r th' arrist iv ye'er cook if ye hire a Boheemyan,' I says. 'Coons'd be all right but they're liable f'r to hand ye ye'er food in ragtime, an' if ye ordher pork-chops f'r dinner an' th' hall is long, 'tis little ye'll have to eat whin th' platter's set down,' I says. 'No,' says I, 'they'se no naytionality now livin' in this counthry that're nathral bor-rn servants,' I says. 'If ye want to save throuble,' I says, 'ye'll import ye'er help. They'se a race iv people livin' in Cinthral Africa that'd be jus' r-right. They niver sleep, tkey can carry twice their weight on their backs, they have no frinds, they wear no clothes, they can't read, they can't dance an' they don't dhrink. Th' fact is they're thoroughly oneddycated. If ye cud tache thim to cook an' take care iv childher they'd be th' best servants,' says I. 'An' what d'ye call thim?' says he. 'I f'rget,' says I. An' he wint away mad.”
“Sure an' he's a nice man to be talkin' iv servants,” said Mr. Hennessy. “He was a gintleman's man in th' ol' counthry an' I used to know his wife whin she wurruked f'r ----”
“S-sh,” said Mr. Dooley. “They're beyond that now. Besides they speak fr'm experyence. An' mebbe that's th' throuble. We're always harder with our own kind thin with others. 'Tis I that'd be th' fine cinsor iv a bartinder's wurruk. Th' more ye ought to be a servant ye'ersilf th' more difficult'tis f'r ye to get along with servants. I can holler to anny man fr'm th' top iv a buildin' an' make him tur-rn r-round, but if I come down to th' sthreet where he can see I aint anny bigger thin he is, an' holler at him, 'tis twinty to wan if he tur-rns r-round he'll hit me in th' eye. We have a servant girl problem because, Hinnissy, it isn't manny years since we first begun to have servant girls. But I hope Congress'll take it up. A smart Congress like th' wan we have now ought to be able to spare a little time fr'm its preparation iv new Jims iv speech f'r th' third reader an' rig up a bill that'd make keepin' house a recreation while so softenin' th' spirit iv th' haughty sign iv a noble race in th' kitchen that cookin' buckwheat cakes on a hot day with th' aid iv a bottle iv smokeless powdher'd not cause her f'r to sind a worthy man to his office in slippers an' without a hat.”
“Ah,” said Mr. Hennessy, the simple democrat. “It wud be all r-right if women'd do their own cookin'.”
“Well,” said Mr. Dooley. “'Twud be a return to Jacksonyan simplicity, an' 'twud be a gr-reat thing f'r th' resthrant business.”
“It looks like war,” said Mr. Hennessy, who had been glancing at the flaming head-lines of an evening paper over Mr. Dooley's shoulder.
“It always does,” said Mr. Dooley. “Since th' Czar iv Rooshia inthrajooced his no-fight risolution, they'se been no chanst that they wudden't be ructious.”
“An' what's it all about?” demanded Mr. Hennessy. “I can't make head nor tail iv it at all, at all.”
Finley Peter Dunne's Mr. Dooley's Philosophy presents the Irish-American saloon-keeper Martin Dooley as a philosopher whose monologues dissect turn-of-the-century American life. The excerpts show Dooley speaking in a thick dialect, addressing his straight man, Mr. Hennessy, on topics ranging from marriage to politics to the nature of food. The catalog subjects label the work as humor and Irish-American wit, but the excerpts reveal a sharper edge: Dooley's observations often undercut conventional wisdom, as when he redefines his establishment as a 'resthrant' to argue that liquor is food, a claim backed by a doctor's newspaper article. The humor is rooted in verbal play and ironic contrasts, not mere punchlines.
Marriage as a Political Liability
In the excerpt from 'Marriage and Politics,' Dooley argues that marriage can end a politician's career. He contrasts the trajectories of Mr. and Mrs. O'Leary: O'Leary rises through politics, learning 'th' air iv a statesman an' th' manner iv a jook,' while his wife remains at home, isolated in a brownstone, finding comfort only in the kitchen of her former neighbor. Dooley's key claim is that 'pollytics is th' poor man's college,' but marriage stalls advancement—O'Leary could have been 'sinitor if he was a widower.' The monologue hinges on a specific detail: Mrs. O'Leary weeps on Mrs. Dargan's neck when asked about her happiness. This moment undercuts any notion that political success translates to domestic fulfillment. The humor is bittersweet, rooted in the gap between public achievement and private cost.
Redefining the Saloon as 'Resthrant'
In 'Alcohol as Food,' Dooley interrupts Hennessy's phrase 'If a man come into this saloon—' by insisting, 'This ain't no saloon. This is a resthrant.' He then cites a doctor who claims liquor is food, and another who wants the government to send tubs of drink to the Philippines to prevent 'nostalgia' among soldiers. The humor lies in Dooley's deadpan appropriation of scientific authority to justify his trade. The dialect—'th' prespiration don't dhry on thim'—and the absurd image of a 'lawn-sprinkler to be filled with bock' ground the argument in concrete, comic detail. Dooley's logic is playful but pointed: he uses the language of expertise to challenge social categories, turning a saloon into a respectable establishment through sheer verbal redefinition.
The Voice of the Preface and Its Ironies
The preface, written by Dunne in his own voice, claims that Mr. Dooley 'has none of the modesty' and 'recognizes no such human failing as envy.' It also thanks the typographer for making 'two jokes grow where only one grew before.' This meta-commentary frames the monologues as collaborative accidents, where errors improve the text. The preface's tone is wry, distancing Dunne from his creation while acknowledging the character's appeal. The catalog subject 'Irish-American wit and humor' fits, but the preface hints at a more layered project: Dooley's philosophy is not just folk wisdom but a crafted performance, one that the author presents with a knowing wink. The excerpts thus show a work that is both a humor collection and a subtle critique of its own medium.
The excerpts from Mr. Dooley's Philosophy reveal a work that uses dialect and monologue to probe social contradictions—marriage versus ambition, saloon versus restaurant, public success versus private isolation. Readers should attend to the interplay between Dooley's voice and the framing preface, which together create a layered satire. The humor is specific to its time but rooted in enduring tensions between aspiration and reality.
Reading Dunne’s Mr. Dooley muttering about how a man’s public ambitions quietly reshape his private hearth, I felt that old ache of watching someone trade one kind of truth for another. It reminded me of how Johnson's Lives of the Poets — Volume 1 — Themes and Context lingers on the same quiet surrender, where genius bends to the world’s weary demands. Both feel like conversations overheard at closing time, honest and a little sad.
Grace Garcia
4 weeks agoJoseph Flores
3 weeks agoWilliam Torres
1 week agoWilliam Nelson
2 weeks ago-
David Michael Heath - 4 weeks ago
Mr. Dooley's Philosophy is a delightful collection of humorous and insightful essays that satirize American society and politics at the turn of the 20th century. Finley Peter Dunne's wit is sharp, and his Irish bartender persona, Mr. Dooley, offers clever commentary that remains surprisingly relevant today. The book is a joy to read, with each essay provoking both laughter and thought. Highly recommended for anyone who appreciates classic humor with a philosophical twist. -
Jennifer Stacey Jones - 3 weeks ago
While Mr. Dooley's Philosophy has its moments of humor, the essays often feel dated and repetitive. The satire, once sharp, now seems heavy-handed, and the constant use of brogue can be distracting. Modern readers might find the cultural references obscure and the pacing slow. It's a historical curiosity, but not an essential read for casual audiences. -
Gabriela Cross - 2 weeks ago
Mr. Dooley's Philosophy is an entertaining read with its witty observations on politics and human nature. The humor is timeless, and the character of Mr. Dooley is engaging. However, some references to late 19th-century events may be lost on modern readers, requiring occasional context. Still, it's a charming piece of Americana that offers a unique perspective on the era.
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David Johnson
2 weeks ago